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Chapter One
(cont)
A SHADOW WITHIN |

Jon A. Jackson
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"Pshaw! Dangerous! These managers," the old
man uttered the word with genuine contempt, "would know nothing about danger. Too
busy pushing paper, fussing over archives, tricking the men out in fancy uniforms
...."
"Well,
they're gonna offer Ryder a pension, whatever you say. I'm not sure he'd accept it. The
big thing, though, is the statement absolving him of complicity, as they put it. He'd get
a copy, unsigned of course, but with the assurance that the signed copy was in the files.
Just a little insurance policy, you might say."
The old man
stared at him. "And you want me to write it."
"You're
the man behind it," the other said. "You're the man behind a lot of things that
won't hardly stand the light of day, Mac. About sixty-five years of them, if I read the
archives right. Starting with nearly twenty miners hung on your testimony, false
testimony, in Eighteen-ninety-- ...."

Butte miners, circa 1912
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"Anarchists! They were bloody anarchists,"
the old man snarled. "They were out to bring down the country! Why, I was an
immigrant, no more than a kid,
myself --." |
"Like
Ryder," the visitor interrupted, his face grown hard.
The old man
drew himself up. He seemed schoolmasterish. "I'll not be talked to like this. Please,
do not presume to threaten me."
"You'll
sign this damn thing or you'll spend your last few days in prison," the visitor said,
firmly. "The Agency has ways of fixing your little wagon, you old sonuvabitch. You
think we can't show that you were acting on your own? Without the knowledge or support of
the Agency? That we had no idea what schemes you concocted, for money under the table? And
don't forget, the Old Man, who might have been in it with you, is dead. We can repudiate
him, too."
The old man
was livid. He took a trembling step toward his visitor. "You, you rascal! To think
that my years of loyal service --."
"Aw,
screw your loyal service, Mac. You've hung enough men. You've lined your damn
pockets and tightened the noose around too many necks, and all the time telling yourself
and anyone who'd listen that you did it for the Agency, for the country. I've heard your
damn high-flown speeches to kids like Ryder, your damn self-justifications, your damn
hints to Joe Davis. Hell, you preached the same shit to me, you old bastard. Did you think
you'd never have to pay? That you were gonna lie down in clover and the angels would sing
you into heaven? Why, goddamn your soul!" The visitor laughed, almost hysterically.
But he
regained his control and his voice turned to steel: "You'll damn well sign and be
glad to sign, you old bastard. Or else your poor old skinny ass will go up the pipe like
Goody's."
"You
stupid fool," the old man said. He came forward with the hammer in his hand.
The younger
man swung the briefcase, knocking the hammer out of the man's hand and striking him on his
shoulder, spinning him against the hood of the Packard. The assailant instantly whipped
out a pair of standard handcuffs, just like the ones the Agency had used in its great days
of spying and running free in the industrial wars. He snapped the cuffs on the old man's
skinny wrists, behind him.
In another
moment he had popped open the briefcase and extracted a length of rope, one end already
tied into a hangman's noose. He slipped the noose over the old man's bony head, dislodging
the glasses and tightened it to cut off the old man's thin shouts. He tossed the other end
up over the crossmember of the garage rafters, caught it and yanked it up. The old man was
forced to his feet. Still clutching the end, the visitor grabbed the kitchen chair that
old man had been working on and dragged it over.
"Get on that!" he demanded.
The old man, his eyes wild, gasped, "Never."
"Have it your own way, Mac."
The visitor
hauled on the rope and hoisted the old man onto his tiptoes. But the old fellow was
surprisingly heavy and the rope resisted being dragged over the 2x6 rafter chord.
"Dammit!" the killer swore. He seized the old man's belt at the back and hefted
him up with one hand, ignoring as best he could the furious kicking of the high-top black
shoes. As he hoisted with one hand he drew down tightly on the rope with the other. The
old man was lifted into the air. The rope stretched, but then held the struggling and
kicking figure off the concrete floor.
The killer
backed off then, grimly pulling on the rope. After a few minutes the dangling man lost
consciousness, his neck pinched smaller than one would have thought possible. At last it
was clear that he was dead. The killer moved closer, hoisted the body higher, high enough
that the feet could have been on the chair, then he himself stood on the chair and tied
the rope end around an adjoining rafter chord. Then he tumbled the chair on its side, near
the dangling feet.
He saw that
he had stepped on the old man's glasses and broken them. That was too bad, but there was
nothing for it. He found a broom and swept up the glass and dumped it, along with the bent
frames, into his briefcase. Putting away the broom he noticed a thick piece of chalk. He
smiled and bent down to scrawl an obscure set of numbers on the floor, then he tossed the
chalk back onto the work bench.
As he'd
hoped, the keys were in the Packard's ignition, for when the work on the chair would be
finished and the old man would want to move the car back into the garage. The killer
started the Packard and drove it into the garage. There was still plenty of room for the
hanging body, enough room so that a man bent on suicide but perhaps panicking, would not
have been able to scramble onto the hood to save himself. He turned off the engine and
closed the garage doors. He closed the backyard door and went off, swinging his empty
briefcase. |